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X-Rite ColorChecker Video

X-Rite ColorChecker Video

Kód produktu:MSCCVPR

X-Rite ColorChecker Video is a two-sided target for a color-balanced video workflow, saving valuable time from capture to edit especially with multiple cameras and varying lighting conditions. Size 21.59 x 27.94 cm.
Viac o produkte

Dodacia lehota
Dostupnosť Bratislava: do 4-7 prac. dníDostupnosť Praha: obvykle skladem
Sklad Bratislava:0 kusy
Sklad Praha: 0 kusy
Vaša cena: 130,00 € bez DPH
156,00 € s DPH

Dostupné varianty
Dostupné v 3 variantoch
X-Rite ColorChecker Video Standard
X-Rite ColorChecker Video
Názov produktu: X-Rite ColorChecker Video
Kód produktu: MSCCVPR
Dostupnosť: do 4-7 prac. dní
Cena produktu: 130,00 € bez DPH
156,00 € s DPH
X-Rite ColorChecker Video XL XL
X-Rite ColorChecker Video XL
Názov produktu: X-Rite ColorChecker Video XL
Kód produktu: MSCCVPR-XL
Dostupnosť: do 4-7 prac. dní
Cena produktu: 365,00 € bez DPH
438,00 € s DPH
X-Rite ColorChecker Video Mega Mega
X-Rite ColorChecker Video Mega
Názov produktu: X-Rite ColorChecker Video Mega
Kód produktu: MSCCVC4060
Dostupnosť: do 4-7 prac. dní
Cena produktu: 2.120,00 € bez DPH
2.544,00 € s DPH

From the makers of the original ColorChecker Classic, the X-Rite ColorChecker Video is the ideal color chart for your video workflow. This two-sided target provides chromatic color chips, skin tone chips and gray reference chips on one side and a spectrally neutral white balance card on the other side. This larger color target is perfect for pre-camera checks and wider shots.



Achieving the proper color balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colorist or editor. Here’s what ColorChecker Video offers:


Speed up your color grading workflow by achieving ideal exposure and color balance, whether shooting with one camera or multiples. This color chart includes a series of chromatic color chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software.

  • Chromatic Colors: two rows of six chromatic color chips, both saturated and desaturated, specifically designed to align with the color axis on a vectorscope. These colors provide two levels of color information to more quickly achieve an ideal color balance.
  • Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment.
  • Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colors. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the center of the test target for maximum exposure, even on a wide set.
  • Linear Grayscale: six color chips for achieving even gray balance. This row addresses highlight and shadow regions.
  • Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target


Starting with an accurate white balance ensures the colors you capture are true and provides a point of reference for post-shoot editing. The White Balance target found on the reverse side is a spectrally flat target that provides a neutral reference point across mixed lighting conditions that you encounter during a video shoot. Since the target reflects light equally across the visible spectrum, creating an in-camera custom white balance can properly compensate for varying lighting.

With this chart, you’ll be able to:

  • Eliminate color casts
  • Improve the color preview on your camera’s display so your histograms are more reliable
  • Make post production color correction and editing faster and easier by eliminating the need to neutralize each frame individually

Why can’t I use just any white object for white balancing?
White balancing on a piece of paper or other gray element in the scene may seem like a simple workaround, but most objects are not actually neutral under all lighting conditions; and they’re certainly not consistent. An inaccurate white balance will result in color casts, and a lack of consistency between lighting conditions, making color corrections extremely time consuming.

Physical Specifications

  • Size: 8.25 x 11”  (21.59 x 27.94 cm) 
  • Weight: 8 oz (227 grams)
  • Humidity range: 85% or less, non-condensing

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